Ytasha Womack's definition of the term 'Afrofuturism?' It is an intersection of imagination, technology, the future and liberation. Based on the presentation on science fiction from comics, TV shows, and movies I would say that my science fictional identity must be between Harry Potter, and any of the Marvel comics or movies, but more specifically Wolverine from X-Men has always caught my attention. Womack Afrofuturism Describe your 'sciencefictional identity' based on the presentation and discussion in class using science fiction novels, comics, TV shows, movies, and, if you can, music. Whereas, Alexander Weheliye's definition of Afrofuturism is the intersection of black cultural production, technology, and science fiction. Weheliye's as presented in his essay ''Feenin': Posthuman Voices in Contemporary Black Popular Music' African American voices with other stories to tell about culture, technology and things to come through literature, poetry, science fiction and speculative fiction, music, visual art, and the Internet and maintains that racial identity fundamentally influences technocultural practices. What is Alondra Nelson's definition/description of 'Afrofuturism' in her essay compared to Alexander G. What is it and where does it come from? It means 'African diasporic cultures that live and evolve in the forms of gesture, music, dance, visual culture, epistomology, and language, crossing geography and generations by moving from carrier to carrier and thus threatening the knowledge monopoly of the West.' Came from the novel Mumbo Jumbo and comes from the civil rights activists and cultural theorist James Johnson. Alondra Nelson in her essay 'Future Texts references the phrase 'jes grew' in her discussions of blackness and technology.

Dawn octavia butler sparknotes